{"id":42,"date":"2017-01-01T02:56:23","date_gmt":"2017-01-01T02:56:23","guid":{"rendered":"http:\/\/duplamx.com\/isidore\/wp\/?p=42"},"modified":"2026-03-25T16:43:00","modified_gmt":"2026-03-25T16:43:00","slug":"liam","status":"publish","type":"post","link":"https:\/\/isidorebethel.com\/es\/projects\/liam\/","title":{"rendered":"Liam (As Long as it Would Take to Live It) &#8211; 2018"},"content":{"rendered":"<p><\/p>\n<p style=\"text-align: justify;\">Despu\u00e9s de que un joven cineasta se muda a Francia, su mejor amigo se muere en los Estados Unidos. A trav\u00e9s de fragmentos de documental, performance y animaci\u00f3n, un retrato fantasmal emerge, provoc\u00e1ndole de preguntarse sobre sus relaciones con sus padres y su novio en Par\u00eds.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/153331179?texttrack=false&#038;portrait=false&#038;byline=false&#038;playsinline=false\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen><\/iframe><\/p>\n<p style=\"text-align: justify;\">&#8211;\u00a0dirigida y producida\u00a0por Isidore Bethel (EEUU)&nbsp;\/\u00a0producida por\u00a0Anne-Laure Berteau (France)&nbsp;\/ editada\u00a0por Sandie Bompar<\/p>\n<p style=\"text-align: justify;\">&#8211; Alice Films, <a href=\"https:\/\/becausethenightprod.com\/\">Because the night productions<\/a><\/p>\n<p style=\"text-align: justify;\">&#8211; Wicked Queer (festival LGBT de Boston), Queer Momenti (festival LGBTQ de Zagreb), Journ\u00e9es Arts et Culture dans l\u2019Enseignement Sup\u00e9rieur en la universidad de \u00c9vry Val-d&#8217;Essonne (D\u00edas de los artes y de la cultura en la educaci\u00f3n superior, \u00c9vry, Francia), proyecci\u00f3n en el programa La Mort au risque du r\u00e9el por \u00c0 bient\u00f4t, j\u2019esp\u00e8re\/Cin\u00e9math\u00e8que du documentaire (Grenoble, Francia), proyecci\u00f3n en el taller documental del departamento Film and Media Studies en Yale University, proyecci\u00f3n de un extracto en Magic Hour en The Box por Duplex (Nueva York), proyecci\u00f3n en el Cooke Foundation Scholars Weekend en el National Conference Center (Washington, DC), proyecci\u00f3n en el taller Future Is Here de DokuFest (Prizren, Kosovo)<\/p>\n<p style=\"text-align: justify;\">&#8211;\u00a0premio del jurado en Ch\u00e9ries-Ch\u00e9ris (festival de cine LGBTQ+ de Par\u00eds)<\/p>\n<p style=\"text-align: justify;\">&#8211;\u00a070 minutos<\/p>\n<p style=\"text-align: justify;\">&#8211;\u00a0con apoyo de:\u00a0el Institut Fran\u00e7ais (Hors les murs),\u00a0la Jack Kent Cooke Foundation,\u00a0la Fondation Lagard\u00e8re<\/p>\n<p style=\"text-align: justify;\"><strong>PRENSA :<\/strong><br \/>\n&#8211; <a href=\"https:\/\/www.queerguru.com\/liam\/\"><em>queerguru<\/em><\/a>: \u201cBethel is most definitely a very talented cinematic voice.\u201d<br \/>\n&#8211; <a href=\"http:\/\/reviewsbyamoslassen.com\/?p=63774\"><em>Reviews by Amos Lassen<\/em><\/a>: \u201cWhen a young person dies, it is difficult to deal with and if it is someone we love, it is that harder to understand. This is what we face in this brilliant new film by Isidore Bethel.\u201d<br \/>\n&#8211; <a href=\"https:\/\/on-tenk.com\/en\/documentaires\/fantomes-coming-out\/liam\"><em>T\u00ebnk<\/em><\/a>: A \u201cdocumentary that&#8217;s universal for how it questions grief and powerful for its analysis of the legacies that survivors bear.\u201d<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Despu\u00e9s de que un joven cineasta se muda a Francia, su mejor amigo se muere en los Estados Unidos. A trav\u00e9s de fragmentos de documental, performance y animaci\u00f3n, un retrato fantasmal emerge, provoc\u00e1ndole de preguntarse sobre sus relaciones con sus padres y su novio en Par\u00eds. &#8211;\u00a0dirigida y producida\u00a0por Isidore Bethel (EEUU)&nbsp;\/\u00a0producida por\u00a0Anne-Laure Berteau (France)&nbsp;\/ [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":107,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,1,5],"tags":[6],"class_list":["post-42","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-director","category-projects","category-producer","tag-feature"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/isidorebethel.com\/es\/wp-json\/wp\/v2\/posts\/42","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/isidorebethel.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/isidorebethel.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/isidorebethel.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/isidorebethel.com\/es\/wp-json\/wp\/v2\/comments?post=42"}],"version-history":[{"count":113,"href":"https:\/\/isidorebethel.com\/es\/wp-json\/wp\/v2\/posts\/42\/revisions"}],"predecessor-version":[{"id":3765,"href":"https:\/\/isidorebethel.com\/es\/wp-json\/wp\/v2\/posts\/42\/revisions\/3765"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/isidorebethel.com\/es\/wp-json\/wp\/v2\/media\/107"}],"wp:attachment":[{"href":"https:\/\/isidorebethel.com\/es\/wp-json\/wp\/v2\/media?parent=42"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/isidorebethel.com\/es\/wp-json\/wp\/v2\/categories?post=42"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/isidorebethel.com\/es\/wp-json\/wp\/v2\/tags?post=42"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}